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Some Paintings by Claude Monet

© Copyright 2002, Jim Loy

Monet is my favorite painter. Here are a number of paintings from ClickArt by Broderbund. The numbers are from the Catalogue Raisonne by Daniel Wildenstein. Also see WebMuseum Paris: Monet, Claude and The Artchive: Claude Monet and Art of Monet and Monet's Impression Sunrise. Some of his most famous paintings are not here. Click on the small image (thumb nail) to see a larger image.

#61, Les Promeneurs (The Walkers), 1865, National Gallery of Art, Washington, D.C.   #67, Femmes au jardin (Women in the Garden), 1866, Musee d'Orsay, Paris.   #68, Jeanne-Marquerite Lecadre au jardin (Jeanne-Marquerite Lecadre in the Garden), 1866, Hermitage, St. Petersburg.
#95, Terrasse a Sainte-Adresse (Garden at Sainte-Adresse), 1867, Metropolitan Museum of Art, New York.   #139, Fleurs et Fruits (Flowers and Fruit), 1869, J. Paul Getty Museum, Malibu, California.   #144, Chemin boise, effet de neige (Wood Lane, Snow Effect), 1869, Private collection, France.
#211, La Seine a Rouen (The Seine at Rouen), 1872, Hermitage, St. Petersburg.   #223, La Promenade d'Argenteuil (the Promenade at Argenteuil), 1872, National Gallery of Art, Washington, D.C.   #233, Regates a Argenteuil (Regatta at Argenteuil), 1872, Musee d'Orsay, Paris.
#269, La Seine a Asnieres (The Seine at Asnieres), 1873, private collection, France.   #274, Les Coquelicots a Argenteuil (Poppies at Argenteuil), 1873, Musee d'Orsay, Paris.   #277, Maisons d'Argenteuil (Houses at Argenteuil), 1873, Nationalgalerie, Staatliche Museen zu Berlin, Berlin.
#285, Le Dejeuner (The Luncheon), 1873, Musee d'Orsay, Paris.   #293, Le Boulevard des Capucines, 1873, Nelson-Atkins Museum of Art, Kansas City, Missoui.   #312, Le Pont routier, Argenteuil (the Road Bridge at Argenteuil), 1874, National Gallery of Art, Washington, D.C.
#295, Le Grand Quai, au Havre (The Grand Quai at Le Havre), 1874, Hermitage, St. Petersburg.   #319, Le Pont du chemin de fer, Argenteuil (The Railway Bridge at Argenteuil), 1874, Musee d'Orsay, Paris.   #348, Neige a Argenteuil (Snow at Argenteuil), 1874-1875, Museum of Fine Arts, Boston, Massachusetts.
#357a, Effet de neige, Argenteuil, boulevard Saint-Denis (Snow effect, Argenteuil), 1875, Museum of Fine Arts, Boston, Massachusetts.   #381, La Promenade, la femme a l'ombrelle (The Walk, Woman with a Parasol), 1875, National Gallery of Art, Washington, D.C.   #391, Le Bateau-Atelier (The Studio Boat), 1875-76.
#403, Les Tuileries, esquisse (The Tuileries, study), 1876, Musee d'Orsay, Paris.   #411, Le Jardin (The Garden), 1876, Hermitage, St. Petersburg.   #438, La Gare Saint-Lazare (Saint-Lazare Station), 1877, Musee d'Orsay, Paris.
#506, L'Eglise de Vetheuil, neige (The Church at Vetheuil, Snow), 1879, Musee d'Orsay, Paris.   #518, Vetheuil dans le brouillard (Vetheuil in the Fog), 1879, Musee Marmottan, Paris.   #534, Vetheuil en ete (Vetheuil in Summer), 1879, Art Gallery of Ontario, Toronto, Canada.
#537, La Seine a Vetheuil (The Seine at Vetheuil), 1879, Musee des Beaux-Arts et de la Ceramique, Rouen, France.   #576, Soleil couchant sur la Seine, effet d'hiver (Sunset on the Seine, Winter Effect), 1880, Musee du Petit-Palais, Paris.   #628, Bouquet de soleils (Bouquet of Sunflowers), 1880, Metropolitan Museum of Art, New York.
#676, Champ de ble (Field of Corn), 1881, Cleveland Museum of Art, Cleveland, Ohio.   #734, La Maison du pecheur, temps couvert (The Fisherman's House, Overcast Weather), 1882, Newark Museum, Newark, New Jersey.   #817, Etretat, soleil couchant (Etretat, Sunset), 1883, North Carolina Museum of Art, Raliegh, North Carolina.
#866, Jardin a Bordighera, effet du matin (Garden at Bordighera, Morning Effect), 1884, Hermitage, St. Petersburg.   #873, Sous les Citronniers (Under the Lemon Trees), 1884, Ny Carlsberg Glyptotek, Copenhagen.   #874, Un Coin de ferme a Bordighera (The Farm at Bordighera), 1884, Joslyn Art Museum, Omaha, Nebraska.
#1000, Champ de coquelicots, environs de Giverny (Poppy Field in a Hollow near Giverny), 1885, Museum of Fine Arts, Boston.   #1034, L'Aiguille et la falaise d'Aval (Rock Needle and the Porte d'Aval), 1885, Sterling and Francine Clark Art Institute, Williamstown, Massachusetts.   #1104, Rochers a Belle-Ile, Port-Domois (Rocks at Belle-Ile, Port-Domois), 1886, Saint Louis Art Museum, St. Louis, Missouri.
#1152, Jeunes Filles en barque (Young Girls in the Rowing Boat), 1887, National Museum of Western Art, Tokyo.   #1167, Antibes vue de la Salis (Antibes Seen from the Sailis Gardens), 1888, private collection, Japan.   #1202, Prairie a Giverny (Meadow at Giverny), 1888, Hermitage, St. Petersburg.
#1231, Le Vieil Arbre au confluent (The Old Tree at the Confluence), 1889, The Art Institute of Chicago.   #1250, En Canot sur l'Epte (Boating on the River Epte), 1890, Museu de Arte Assis Chateaubriand, Sao Paulo, Brazil.   #1266, Meules, fin de l'ete, effet du matin (Grainstacks at the End of the Summer, Morning Effect), 1890 (signed 1891), Musee d'Orsay, Paris.
#1277, Meule, effet de gelee blanche (Grainstack, White Frost Effect), 1891, National Gallery of Scotland, Edinburgh.   #1280, Meule, effet de neige, le matin (Grainstack in the Morning, Snow Effect), 1891, Museum of Fine Arts, Boston.   #1284, Meule, degel, soleil couchant (Grainstack, Thaw, Sunset), 1891, Art Institute of Chicago.
#1309, Les Quatre Arbres (Four Trees), 1891, Metropolitan Museum of Art, New York.   #1324, La Portail (soleil) (The Portal in the Sun), 1892 (signed 1894), National Gallery of Art, Washington, D.C.   #1326, La Cathedrale de Rouen (Rouen Cathedral), 1892 (signed 1894), Pushkin Museum, Moscow.
#1487, Bras de Seine pres de Giverny (Arm of the Seine near Giverny), 1897, Musee d'Orsay.   #1513, Le Bassin aux nympheas (Water-Lily Pond), 1899, Pushkin Museum, Moscow.   #1515, Le Bassin aux nympheas, harmonie verte (Water-Lily Pond, Symphony in Green) 1899, Musee d'Orsay, Paris.
#1548, Charing Cross Bridge, signed 1903 (painted earlier), Saint Louis Art Museum, Saint Louis, Missouri.   #1569, Waterloo Bridge, temps gris (Waterloo Bridge, Grey Weather), signed 1903 (painted earlier), National Gallery of Art, Chester Dale Collection, Washington, D.C.   #1573, Waterloo Bridge, soleil dans le brouillard (Waterloo Bridge, Effect of Sunlight in the Fog), signed 1903 (painted earlier), National Gallery of Canada, Ottawa, Canada.
#1580, Waterloo Bridge, effet de brouillard (Waterloo Bridge, Fog Effect), signed 1903 (painted earlier), Hermitage, St. Petersburg.   #1583, Waterloo Bridge, effet rose (Waterloo Bridge, Rose Effect), 1901, National Gallery of Art, Washington, D.C.   #1605, Le Parlement, ciel orageux (Houses of Parliament, Stormy Sky), signed 1904 (painted earlier), Musee des Beaux-Arts, Lille, France.
#1610, Le Parlement, trouee de soleil dans le brouillard (Houses of Parliament, Effects of Sunlight in the Fog), signed 1904 (painted earlier), Musee d'Orsay, Paris.   #1613, Le Parlement, les mouettes (Houses of Parliament, Seagulls), signed 1904 (painted earlier), Pushkin Museum, Moscow.   #1628, Le Pont sur la bassin aux nympheas, Giverny (The Bridge over the Water-Lily Pond, Giverny), 1900, Art Institute of Chicago, Chicago, Illinois.
#1658, Nympheas (Water-Lilies), 1903, Bridgestone Museum of Art, Ishibashi Foundation, Tokyo.   #1664, Nympheas (Water-Lilies), 1904, Musee des Beaux-Arts, Le Havre, France.   #1666, Nympheas (Water-Lilies) 1904, Denver Art Museum, Denver Colorado.
#1683, Nympheas (Water-Lilies), 1906, Art Institute of Chicago, Chicago, Illinois.   #1724, Nympheas (Water-Lilies), 1908, Musee Municipal Alphonse-Georges Poulain, Vernon, France.   #1743, Le Palais ducal (Palazzo Ducale), 1908, Brooklyn Museum, Brooklyn, NY.
#1779, Les Arceaux fleuris, Giverny (The Flowered Arches at Giverny), 1913, Phoenix Art Museum, Phoenix, Arizona.   #1795, Nympheas (Water-Lilies), 1914-1917, Portland Art Museum, Portland, Oregon.   #1811, Nympheas (Water-Lilies), 1914-1917, Musee Marmottan, Paris.
#1862, Nympheas, reflets de saule (Water-Lilies, Reflections of Weeping Willows, 1916-1919, Musee Marmottan, Paris   #1873, Saule pleureur (Weeping Willow), 1918-19, Musee Marmottan, Paris.   #1891, Le Bassin aux nympheas (The Water-Lily Pond), 1919, Metropolitan Museum of Art, New York.
#1902, Nympheas (Water-Lilies), 1917-20, Musee Marmottan, Paris.   #1925: Le Pont japonais (The Japanese Bridge) 1918-1924, Museum of Fine Arts, Houston, Texas.      

This is Claude Monet Painting in a Wood, by John Singer Sargent, 1885, Tate Gallery, London. Manet, Renoir, and others also painted pictures of Monet.

These images are from ClickArt by Broderbund.


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